This blog is dedicated to awesome work in art and design, both my own happy creations and others'.
Monday, September 5, 2011
Monday, August 29, 2011
Last week of AbEx
Wednesday, August 3, 2011
Inuit Modern
On my bi-weekly tours of the AGO's Canadian gallery, I usually include a brief exploration of the Inuit Modern exhibit, because I love it. Except that last week they had changed all of the prints and drawings on the walls and I didn't realize until I was halfway through my tour. I was a little perturbed that they removed "Enchanted Owl" by Kenojuak Ashevak from 1960, which is the most perfect piece of graphic work ever created.
The outlines of the feathers are varied and imperfect but in my mind, this only serves to make the overall image more perfect looking. I don't think the owl would be nearly as powerful if each feather was a flawlessly clean-lined and Photoshopped shape.
Inuit prints and drawings often have animals or figures floating in mid-air and objects don't seem to be realistically situated in space. However, the Inuit perspective was explained to me thus: In the Arctic, figures appear to just pop out from a white background. I imagine, sometimes, everything is white - sky and ground alike. As in a whiteout, there is literally no clear horizon line.
In context, this makes Inuit drawings totally realistic.
See what I'm saying?
Compare the above to drawings of interiors by Annie Pootoogook.
Space is clearly delineated (e.g. the radio is on the table; the table is in front of the wall), but the picture still looks fairly 2-dimensional and objects on the wall are scattered about in the same way that figures are scattered about in many other Inuit drawings. This is a phenomenon I cannot explain. Go to the Inuit Modern exhibit and make your own conclusions. It'll be on until October 16th.
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| Enchanted Owl, by Kenojuak Ashevak (1960) |
Inuit prints and drawings often have animals or figures floating in mid-air and objects don't seem to be realistically situated in space. However, the Inuit perspective was explained to me thus: In the Arctic, figures appear to just pop out from a white background. I imagine, sometimes, everything is white - sky and ground alike. As in a whiteout, there is literally no clear horizon line.
![]() |
| Photo of a whiteout in Antarctica from Wikipedia |
In context, this makes Inuit drawings totally realistic.
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| Hunter and Inuit on the Land, by Ruth Annaqtuusi Tulurialik |
See what I'm saying?
Compare the above to drawings of interiors by Annie Pootoogook.
![]() |
| Calling Annie, by Annie Pootoogook |
Tuesday, August 2, 2011
Toronto Outdoor Art Exhibition
Okay, I know this post is delayed - I went to TOAE July 11th - but anyways, this is what I bought at the show this year. For some reason my photos don't really capture the awesomeness of the mug, so I suggest visiting the artist's website: Jeanne Longman.
Thursday, June 16, 2011
dressing up my munki
Munki wanted to show off the earrings I bought in Kensington Market this week and how versatile they are.
Munki is Classy in her bow ring and belt bracelet:
Munki is Boho-chic in her boho ring and Great Wall of China bracelet.
Awesome.
Munki is Classy in her bow ring and belt bracelet:
Munki is Boho-chic in her boho ring and Great Wall of China bracelet.
Awesome.
Thursday, June 9, 2011
She Rules with Iron Stix
A little research into the girl with the Stop Harper sign revealed the following - a contemporary political performance artist.
Sunday, April 24, 2011
Willie Cole: making stuff look like other stuff
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| The Thinker, by Willie Cole |
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| Speedster, by Willie Cole |
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| Shine, by Willie Cole |
Saturday, April 16, 2011
two shoes
Theoretically wearable, but stupid-looking:
Not at all wearable, but awesome:
If you couldn't see the Asian influence, take a look at this:
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| Marc Jacobs |
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| Marc Jacobs |
Not at all wearable, but awesome:
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| Guo Pei Winter 2010 collection |
If you couldn't see the Asian influence, take a look at this:
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| omg four arms (what is she doing with her fingers?!) |
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| Pictures from Fashletic |
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